1
00:00:04,733 --> 00:00:06,333
IF IT WAS UP TO ME,

2
00:00:06,333 --> 00:00:09,967
THIS SCATTER GUN WOULD BE
THE LAST THING YOU EVER SEE.

3
00:00:11,700 --> 00:00:13,467
Bonney:
 I'VE BEEN CALLED
 A LOT OF NAMES.

4
00:00:16,767 --> 00:00:20,067
BUT THE ONE THAT STUCK IS
 BILLY THE KID.

5
00:00:20,067 --> 00:00:23,267
AND THIS IS MY TRUE STORY
 AS IT'S NEVER BEEN TOLD.

6
00:00:23,267 --> 00:00:25,167
[ SIGHS ] DAMN IT.

7
00:00:25,167 --> 00:00:26,100
"HELLO, BOB."

8
00:00:26,100 --> 00:00:27,300
HELLO, BOB.

9
00:00:32,100 --> 00:00:35,067
Bell:
HE'S THE FIRST GOOD BAD BOY.

10
00:00:35,967 --> 00:00:39,000
I THINK YOU CAN DRAW
A DIRECT LINE FROM BILLY THE KID

11
00:00:39,000 --> 00:00:42,700
TO JAMES DEAN TO ELVIS PRESLEY
TO KURT COBAIN.

12
00:00:43,600 --> 00:00:45,267
[ GUNSHOT ]
DAMN, BILLY.

13
00:00:45,267 --> 00:00:46,433
YOU'VE HEARD THE LEGENDS...

14
00:00:46,433 --> 00:00:49,067
Hutton: WELL, THE STORY GOES

15
00:00:49,067 --> 00:00:51,000
THAT BILLY THE KID KILLED
21 MEN --

16
00:00:51,000 --> 00:00:52,433
ONE FOR EACH YEAR
OF HIS LIFE.

17
00:00:52,433 --> 00:00:55,067
...BUT THE TRUTH IS
 AN EVEN BETTER TALE.

18
00:00:55,067 --> 00:01:01,400
Boggs:
WHAT DO YOU DO WHEN THE LAW IS
AS CORRUPT AS THE OUTLAWS?

19
00:01:01,400 --> 00:01:03,167
YOU TAKE THE LAW
INTO YOUR OWN HANDS.

20
00:01:03,167 --> 00:01:07,067
I WAGED WAR ON A BAND
 OF MURDEROUS LAWMEN,

21
00:01:07,067 --> 00:01:08,800
CHEATED DEATH REPEATEDLY...

22
00:01:08,800 --> 00:01:10,900
JOKE'S ON ME.
[ LAUGHTER ]

23
00:01:12,167 --> 00:01:15,233
...AND BECAME
 THE FACE OF THE WILD WEST.

24
00:01:15,233 --> 00:01:16,367
HE REALLY WAS A KID,

25
00:01:16,367 --> 00:01:18,800
AND WHEN YOU'RE A KID,
YOU'RE INVINCIBLE.

26
00:01:18,800 --> 00:01:22,767
BUT THERE WAS ONE SHERIFF
 I COULDN'T SHAKE FROM MY TAIL.

27
00:01:23,667 --> 00:01:26,467
Hutton: THE WARRANTS HE CARRIED
WEREN'T ARREST WARRANTS.

28
00:01:26,467 --> 00:01:28,833
THEY WERE DEATH WARRANTS.

29
00:01:28,833 --> 00:01:31,833
-- Captions by VITAC --
 www.vitac.com

30
00:01:31,833 --> 00:01:34,867
CAPTIONS PAID FOR BY
DISCOVERY COMMUNICATIONS

31
00:01:38,767 --> 00:01:42,200
EVERYONE THINKS THEY KNOW
 THE REAL BILLY THE KID.

32
00:01:44,233 --> 00:01:46,867
THEY CALL ME A PSYCHOPATH,
 A VILLAIN...

33
00:01:48,067 --> 00:01:50,333
...A COLD-BLOODED MURDERER...
BILLY, DON'T!

34
00:01:51,567 --> 00:01:55,500
...BUT THE TRUTH
 ISN'T SO BLACK AND WHITE.

35
00:02:04,933 --> 00:02:08,867
EVERY LEGEND HAS
 ITS BEGINNING.

36
00:02:08,867 --> 00:02:13,167
MINE STARTS
 IN LINCOLN COUNTY, NEW MEXICO,

37
00:02:13,167 --> 00:02:16,333
A LITTLE MORE THAN A DECADE
 AFTER THE CIVIL WAR,

38
00:02:16,333 --> 00:02:18,567
WHEN THE WEST IS WIDE-OPEN

39
00:02:18,567 --> 00:02:20,867
AND THE OPPORTUNITIES ARE
 ENDLESS.

40
00:02:20,867 --> 00:02:24,933
Bell:
IT WAS THE LAST SIREN'S SONG
OF EASY MONEY,

41
00:02:24,933 --> 00:02:26,400
AND PEOPLE CAME OUT WEST.

42
00:02:26,400 --> 00:02:28,100
THE LAND WAS PRACTICALLY FREE,

43
00:02:28,100 --> 00:02:30,467
AND IF YOU COULD FIND
A MINERAL STRIKE,

44
00:02:30,467 --> 00:02:32,233
THEN IT WAS
JUST A DREAM COME TRUE.

45
00:02:32,233 --> 00:02:35,767
AND SO THESE PEOPLE WERE
DRIVEN OUT HERE BY THAT DREAM.

46
00:02:35,767 --> 00:02:40,267
Hutton: EVERYONE'S ON THE MAKE.
EVERYBODY'S TRYING TO MAKE IT.

47
00:02:40,267 --> 00:02:43,067
[ STEER SNORTS ]

48
00:02:44,567 --> 00:02:48,233
[ HORSE SNORTS ]

49
00:02:48,233 --> 00:02:52,233
THAT'S ME -- BILLY BONNEY.

50
00:02:54,433 --> 00:02:58,267
20 YEARS OLD AND JUST TRYING
TO GET BY LIKE EVERYBODY ELSE.

51
00:02:59,600 --> 00:03:03,133
BUT I DIDN'T KNOW THIS DAY WAS
 GONNA CHANGE MY LIFE FOREVER.

52
00:03:04,633 --> 00:03:07,533
THAT'S JOHN TUNSTALL...

53
00:03:07,533 --> 00:03:09,067
[ HORSE NEIGHS ]

54
00:03:09,067 --> 00:03:12,167
...THE OWNER OF THE HORSE
 I WAS PLANNING TO BORROW...

55
00:03:12,167 --> 00:03:14,367
HOLD IT RIGHT THERE,
LAD.

56
00:03:14,367 --> 00:03:17,500
...UNTIL HE GOT
 THE DROP ON ME.

57
00:03:17,500 --> 00:03:19,233
HE HAD EVERY RIGHT

58
00:03:19,233 --> 00:03:22,333
TO SHOOT ME DEAD
 THEN AND THERE.

59
00:03:22,333 --> 00:03:23,900
BUT HE DIDN'T.

60
00:03:23,900 --> 00:03:25,200
I DON'T SUPPOSE
YOU'RE ANY GOOD WITH THAT COLT,

61
00:03:25,200 --> 00:03:26,233
ARE YOU, MATE?

62
00:03:28,667 --> 00:03:29,800
[ GUNSHOT ]

63
00:03:29,800 --> 00:03:31,733
DAMN, BILLY.
GOOD SHOT, LAD.

64
00:03:31,733 --> 00:03:36,567
LUCKY FOR ME, TUNSTALL WAS
 HIRING RANCH HANDS.

65
00:03:36,567 --> 00:03:39,600
ESPECIALLY THOSE
 WHO COULD HANDLE A GUN.

66
00:03:41,267 --> 00:03:43,800
HELL, BILLY, YOU COULD
SHOOT THE WINGS OFF A FLY.

67
00:03:43,800 --> 00:03:46,300
TUNSTALL ESSENTIALLY STRIKES
A DEAL WITH THE KID,

68
00:03:46,300 --> 00:03:49,133
AND INSTEAD OF PROSECUTING HIM,
HE GIVES HIM A JOB.

69
00:03:49,133 --> 00:03:53,167
ONE, TWO, LIFT!
[ GRUNTS ]

70
00:03:53,167 --> 00:03:54,167
WHOO!

71
00:03:54,167 --> 00:03:55,933
YOU GOT THAT, CHARLIE?

72
00:03:55,933 --> 00:03:57,533
Boggs:
BY THIS POINT IN HIS LIFE,

73
00:03:57,533 --> 00:03:59,500
BILLY THE KID KNOWS HIS WAY
AROUND HORSES.

74
00:03:59,500 --> 00:04:01,667
HE KNOWS HIS WAY
AROUND CATTLE.

75
00:04:01,667 --> 00:04:04,333
HE'S THE PERFECT FIT
TO BE RIDING FOR A RANCH

76
00:04:04,333 --> 00:04:07,200
IN LINCOLN COUNTY, NEW MEXICO,
IN THE LATE 1870s.

77
00:04:07,200 --> 00:04:10,433
IF TUNSTALL HADN'T TAKEN
 A CHANCE ON ME,

78
00:04:10,433 --> 00:04:13,100
YOU MIGHT NEVER HAVE HEARD
 THE NAME BILLY THE KID.

79
00:04:13,100 --> 00:04:14,933
Courtney:
HE HAD HAD FAITH IN BILLY

80
00:04:14,933 --> 00:04:16,900
THAT HE COULD
TURN HIS LIFE AROUND,

81
00:04:16,900 --> 00:04:19,367
AND I THINK BILLY WAS GRATEFUL
UNTIL THE END.

82
00:04:22,500 --> 00:04:25,067
BUT TUNSTALL'S END CAME
 FAR TOO SOON

83
00:04:25,067 --> 00:04:29,367
AND THRUST ME INTO
 ONE OF THE BLOODIEST CONFLICTS

84
00:04:29,367 --> 00:04:30,800
IN WILD WEST HISTORY.

85
00:04:34,333 --> 00:04:37,133
YOU SEE,
 JOHN WAS AN HONEST MAN,

86
00:04:37,133 --> 00:04:40,200
BUT HE HAD
 HIS SHARE OF ENEMIES.

87
00:04:40,200 --> 00:04:42,233
LINCOLN COUNTY WAS CONTROLLED

88
00:04:42,233 --> 00:04:45,267
BY A GANG OF CORRUPT RANCHERS
 AND LAWMEN.

89
00:04:45,267 --> 00:04:49,067
THEY CALLED THEMSELVES
 "THE HOUSE."

90
00:04:49,067 --> 00:04:51,567
Hutton: THE TOWN OF LINCOLN,
THE COUNTY SEAT

91
00:04:51,567 --> 00:04:55,600
OF THE LARGEST COUNTY
IN THE UNITED STATES,

92
00:04:55,600 --> 00:04:57,933
IS CONTROLLED BY
WHAT IS KNOWN AS THE HOUSE.

93
00:04:57,933 --> 00:05:01,100
MURPHY, DOLAN, AND RILEY ARE
THE MAIN PARTNERS.

94
00:05:03,067 --> 00:05:06,167
Gardner:
LAWRENCE MURPHY AND JIMMY DOLAN
BASICALLY CONTROLLED

95
00:05:06,167 --> 00:05:08,633
THE ENTIRE SOUTHEASTERN PART
OF NEW MEXICO.

96
00:05:08,633 --> 00:05:09,700
THEY MADE MONEY

97
00:05:09,700 --> 00:05:11,600
ON BEEF CONTRACTS
WITH THE MILITARY.

98
00:05:11,600 --> 00:05:12,767
THEY SERVED AS BANKERS.

99
00:05:12,767 --> 00:05:15,833
THEY WERE ALSO MERCHANTS.

100
00:05:15,833 --> 00:05:18,067
Ellis: THERE WERE TWO WAYS
YOU BOUGHT INFLUENCE --

101
00:05:18,067 --> 00:05:19,633
WITH MONEY OR A BULLET.

102
00:05:19,633 --> 00:05:20,900
THERE'S NO QUESTION

103
00:05:20,900 --> 00:05:23,433
THAT VIOLENCE WAS A CURRENCY
OUT HERE,

104
00:05:23,433 --> 00:05:26,200
AND THE THREAT OF VIOLENCE WAS
ALWAYS SOMETHING

105
00:05:26,200 --> 00:05:27,433
THAT YOU LIVED WITH.

106
00:05:27,433 --> 00:05:29,267
AND YOU ARMED YOURSELF
AGAINST IT.

107
00:05:29,267 --> 00:05:33,133
JOHN WAS A NEWCOMER,

108
00:05:33,133 --> 00:05:36,467
AND THE HOUSE DIDN'T TAKE
 KINDLY TO NEWCOMERS,

109
00:05:36,467 --> 00:05:38,767
ESPECIALLY AN ENGLISHMAN.

110
00:05:38,767 --> 00:05:41,067
Bell: JOHN TUNSTALL CAME
TO LINCOLN COUNTY.

111
00:05:41,067 --> 00:05:42,400
HE WANTED TO MAKE HIS MARK.

112
00:05:42,400 --> 00:05:44,500
HE WENT UP AGAINST
THE IRISH CROWD,

113
00:05:44,500 --> 00:05:46,067
WHO WERE
JUST OUT OF THE MILITARY.

114
00:05:46,067 --> 00:05:48,633
THEY WERE ROMAN CATHOLIC.
HE WAS PROTESTANT.

115
00:05:50,933 --> 00:05:52,933
Gomber: RIGHT TO THE END,
HE SEEMS TO HAVE UNDERESTIMATED

116
00:05:52,933 --> 00:05:54,467
WHO HE WAS DEALING WITH.

117
00:05:58,267 --> 00:06:01,067
THE MORNING STARTED LIKE
 ANY OTHER.

118
00:06:01,067 --> 00:06:04,467
BUT IT WOULD END
 IN BLOODSHED.

119
00:06:06,633 --> 00:06:09,967
THIS WAS THE DAY BILLY BONNEY,
 RANCH HAND,

120
00:06:09,967 --> 00:06:13,200
BECAME BILLY THE KID,
 OUTLAW.

121
00:06:13,200 --> 00:06:17,100
THE KID WAS ONE OF THE COWBOYS
THAT TUNSTALL HAD WITH HIM

122
00:06:17,100 --> 00:06:19,867
WHEN THEY WERE DRIVING
SOME HORSES INTO LINCOLN.

123
00:06:22,133 --> 00:06:23,467
THEY DIDN'T KNOW
THAT THERE WAS

124
00:06:23,467 --> 00:06:24,833
A DULY AUTHORIZED
SHERIFF'S POSSE

125
00:06:24,833 --> 00:06:28,500
THAT INCLUDED KNOWN OUTLAWS
PURSUING THEM.

126
00:06:28,500 --> 00:06:32,333
RIGHT, LADS.

127
00:06:32,333 --> 00:06:35,967
PUFF OUT OF SIGHT,
AND I'LL HAVE A WORD.

128
00:06:35,967 --> 00:06:40,467
SHERIFF BRADY WAS
 IN THE POCKET OF THE HOUSE.

129
00:06:40,467 --> 00:06:42,867
HE HAD TRUMPED UP
 A CHARGE AGAINST JOHN

130
00:06:42,867 --> 00:06:44,633
AND FORMED A POSSE
 TO BRING HIM IN.

131
00:06:44,633 --> 00:06:47,333
IT'S OKAY, KID.
I'LL BE ALONG.

132
00:07:00,767 --> 00:07:05,167
BUT BRADY HAD NO INTENTION
 OF TAKING JOHN ALIVE.

133
00:07:08,200 --> 00:07:09,900
WAIT TILL HE GETS CLOSER.

134
00:07:13,633 --> 00:07:19,700
Hutton:
YOUNG JOHN TUNSTALL THOUGHT
THAT THE LAW WOULD PROTECT HIM.

135
00:07:19,700 --> 00:07:21,733
HE DIDN'T UNDERSTAND
THAT IN NEW MEXICO,

136
00:07:21,733 --> 00:07:24,100
THE GUN TRUMPED THE LAW
EVERY TIME.

137
00:07:29,933 --> 00:07:32,433
WHAT'S TAKING SO LONG?

138
00:07:36,533 --> 00:07:37,733
[ GUN COCKS ]

139
00:07:46,200 --> 00:07:49,733
Courtney:
WHEN TUNSTALL WAS MURDERED,
HE HAD REALLY LOST

140
00:07:49,733 --> 00:07:51,333
THE LAST PERSON
THAT REALLY CARED FOR HIM.

141
00:07:52,367 --> 00:07:54,300
Boggs:
THIS IS GONNA REALLY SHATTER

142
00:07:54,300 --> 00:07:57,233
EVERYTHING THAT'S HAPPENING
IN LINCOLN COUNTY AT THE TIME.

143
00:07:57,233 --> 00:07:59,067
ALL OF A SUDDEN,
YOU'VE GONE FROM A WAR

144
00:07:59,067 --> 00:08:01,500
OF TALKING AND THREATS
AND ARREST

145
00:08:01,500 --> 00:08:06,067
TO A WAR OF OUTRIGHT MURDER.

146
00:08:06,067 --> 00:08:09,067
JOHN WAS THE FIRST CASUALTY
 IN THE LINCOLN COUNTY WAR.

147
00:08:10,967 --> 00:08:14,500
BUT I RESOLVED THEN
 THAT HE WOULD NOT BE THE LAST.

148
00:08:17,467 --> 00:08:21,800
Bell:
LEGEND SAYS THAT BILLY THE KID
STOOD OVER JOHN TUNSTALL'S GRAVE

149
00:08:21,800 --> 00:08:24,933
AND SWORE REVENGE ON EVERY MAN
WHO KILLED HIM.

150
00:08:27,300 --> 00:08:29,633
Hutton: WHEN OTHERS WERE WILLING
TO LET THINGS PASS,

151
00:08:29,633 --> 00:08:31,333
WHEN OTHERS WERE WILLING
TO BACK OFF

152
00:08:31,333 --> 00:08:34,200
AS THE LINCOLN COUNTY WAR
HEATED UP, BILLY NEVER WAS.

153
00:08:34,200 --> 00:08:36,433
[ HORSE NEIGHS ]

154
00:08:36,433 --> 00:08:41,667
Boggs:
WHAT DO YOU DO WHEN THE LAW IS
AS CORRUPT AS THE OUTLAWS?

155
00:08:41,667 --> 00:08:43,300
YOU TAKE THE LAW
INTO YOUR OWN HANDS,

156
00:08:43,300 --> 00:08:44,867
AND THAT'S BASICALLY
WHAT BILLY DID.

157
00:08:44,867 --> 00:08:47,067
Hutton:
WELL, THE STORY GOES --

158
00:08:47,067 --> 00:08:50,100
AND IT CAME FROM THE NEWSPAPERS
OF THE TIME --

159
00:08:50,100 --> 00:08:53,600
THAT BILLY THE KID KILLED
21 MEN IN 21 YEARS --

160
00:08:53,600 --> 00:08:55,467
ONE FOR EACH YEAR
OF HIS LIFE.

161
00:08:55,467 --> 00:08:58,467
WHAT'S NOT TO LIKE ABOUT
THE ROMANTIC ELEMENT IN THAT?

162
00:08:58,467 --> 00:09:01,633
NEVERTHELESS,
IT'S THE NATURE OF THE KILLINGS,

163
00:09:01,633 --> 00:09:04,067
IT'S WHY HE KILLED

164
00:09:04,067 --> 00:09:07,300
THAT IS SO IMPORTANT
TO THE LEGEND OF BILLY THE KID.

165
00:09:09,367 --> 00:09:10,867
AT THE HEAD
 OF OUR HIT LIST WAS

166
00:09:10,867 --> 00:09:13,333
THE MAN WHO KILLED
 JOHN TUNSTALL

167
00:09:13,333 --> 00:09:16,833
AND IN SO DOING STOLE
 MY BEST CHANCE

168
00:09:16,833 --> 00:09:21,600
AT AN HONEST LIFE --
 THE SHERIFF OF LINCOLN COUNTY.

169
00:09:21,600 --> 00:09:22,733
HE WAS A LAWMAN.

170
00:09:22,733 --> 00:09:23,800
IF YOU KILL A LAWMAN,

171
00:09:23,800 --> 00:09:26,433
THAT'S A WHOLE DIFFERENT
CATEGORY.

172
00:09:37,367 --> 00:09:41,067
Bonney: MOST PEOPLE THINK OF ME
AS BILLY THE KID,

173
00:09:41,067 --> 00:09:44,267
RUTHLESS OUTLAW
 AND NATURAL-BORN KILLER.

174
00:09:44,267 --> 00:09:46,367
BUT THE REAL ME,
 BILLY BONNEY,

175
00:09:46,367 --> 00:09:47,767
I'M JUST DOING MY PART

176
00:09:47,767 --> 00:09:50,300
TO BRING JUSTICE
 TO A LAWLESS FRONTIER.

177
00:10:00,567 --> 00:10:01,700
[ HORSE NEIGHS ]

178
00:10:01,700 --> 00:10:04,833
IN FEBRUARY 1878,

179
00:10:04,833 --> 00:10:06,200
A POSSE OF CROOKED LAWMEN

180
00:10:06,200 --> 00:10:09,200
MURDERED MY BOSS AND FRIEND,
 JOHN TUNSTALL.

181
00:10:18,467 --> 00:10:20,367
SO THOSE OF US
 WHO WORKED FOR JOHN

182
00:10:20,367 --> 00:10:25,433
FORMED A POSSE OF OUR OWN
 AND VOWED TO AVENGE HIS DEATH.

183
00:10:25,433 --> 00:10:28,033
WE CALLED OURSELVES
 THE REGULATORS.

184
00:10:28,033 --> 00:10:31,933
Gomber:
THE REGULATORS WEREN'T LONG
IN GETTING SOME REVENGE.

185
00:10:31,933 --> 00:10:33,500
ABOUT THREE WEEKS LATER,

186
00:10:33,500 --> 00:10:35,800
THEY CAUGHT UP
WITH TWO OF THE ACTUAL SHOOTERS

187
00:10:35,800 --> 00:10:38,367
IN TUNSTALL'S DEATH --
BILLY MORTON AND FRANK BAKER.

188
00:10:40,067 --> 00:10:44,667
MORTON AND BAKER HAD BEEN
 RIDING ALL DAY,

189
00:10:44,667 --> 00:10:46,600
BUT WE WERE ON FRESH HORSES.

190
00:10:46,600 --> 00:10:47,600
HYAH! HYAH!

191
00:10:47,600 --> 00:10:48,733
HYAH! HYAH! HYAH!

192
00:10:54,933 --> 00:10:56,100
WHERE THE HELL ARE THEY?

193
00:10:56,100 --> 00:10:59,100
THEY WAS
RIGHT BEHIND US.

194
00:10:59,100 --> 00:11:01,167
WE STILL ARE.

195
00:11:03,500 --> 00:11:05,133
GUNS DOWN, FELLAS.

196
00:11:08,067 --> 00:11:09,500
BILLY, DON'T!
DON'T --

197
00:11:09,500 --> 00:11:11,933
NO, BILLY. BILLY. BILLY!

198
00:11:11,933 --> 00:11:14,600
BILLY, NO. NO.
BILLY, NO.

199
00:11:16,300 --> 00:11:18,600
JURY'S GONNA CONVICT THEM,
NOT US.

200
00:11:20,900 --> 00:11:22,800
IN LINCOLN COUNTY,

201
00:11:22,800 --> 00:11:25,267
THE LAW WAS
IN THE POCKET OF THE HOUSE.

202
00:11:25,267 --> 00:11:28,400
WE ALL KNEW TUNSTALL'S
 MURDERERS WOULD GO FREE.

203
00:11:28,400 --> 00:11:32,100
I DON'T THINK THEY WOULD'VE
RECEIVED TRUE JUSTICE.

204
00:11:32,100 --> 00:11:37,433
THERE WERE TOO MANY FRIENDS
OF THE DOLAN FACTION IN LINCOLN,

205
00:11:37,433 --> 00:11:38,800
AND THEY WOULD'VE
GOTTEN AWAY.

206
00:11:38,800 --> 00:11:42,300
BUT WE
 DIDN'T LET THAT HAPPEN.

207
00:11:42,300 --> 00:11:45,733
THEY ALLEGEDLY ATTEMPT
TO ESCAPE

208
00:11:45,733 --> 00:11:47,267
AND, OF COURSE,
ARE SHOT DOWN.

209
00:11:47,267 --> 00:11:50,100
EACH REGULATOR PUT A BULLET
INTO THEM

210
00:11:50,100 --> 00:11:53,633
SO THAT THEY WOULD ALL BE
EQUALLY RESPONSIBLE

211
00:11:53,633 --> 00:11:54,933
FOR THE MURDERS.

212
00:11:54,933 --> 00:11:58,233
AND THEY ALSO KILLED
ONE OF THE REGULATORS

213
00:11:58,233 --> 00:12:00,633
WHO THEY DIDN'T TRUST
TO KEEP THE PACT,

214
00:12:00,633 --> 00:12:02,500
SO THREE MEN DIED THERE

215
00:12:02,500 --> 00:12:05,933
AS THE LINCOLN COUNTY WAR
BEGAN IN ERNEST.

216
00:12:05,933 --> 00:12:07,533
THEY PINNED IT ON BILLY,

217
00:12:07,533 --> 00:12:08,933
AS THEY DID
ALL THE OTHER MURDERS

218
00:12:08,933 --> 00:12:10,267
IN THE LINCOLN COUNTY WAR.

219
00:12:10,267 --> 00:12:12,133
THEY KIND OF, LIKE, ALWAYS LIKE
TO PIN THEM ON BILLY

220
00:12:12,133 --> 00:12:13,600
IN THE LEGEND,

221
00:12:13,600 --> 00:12:15,767
NOBODY REALLY KNOWS
WHO SHOT THEM.

222
00:12:18,733 --> 00:12:20,867
EVERY CAUSE NEEDS
 A PUBLIC FACE.

223
00:12:21,967 --> 00:12:24,467
I BECAME THE FACE OF OURS.

224
00:12:24,467 --> 00:12:27,067
Gomber: THIS GUY HAD PERSONALITY
COMING OUT OF HIS EARS.

225
00:12:27,067 --> 00:12:28,667
PEOPLE WERE CRAZY ABOUT HIM,

226
00:12:28,667 --> 00:12:30,800
ESPECIALLY
THE HISPANIC POPULATION.

227
00:12:30,800 --> 00:12:33,667
HE SPOKE SPANISH FLUENTLY.
HE NEVER CONDESCENDED.

228
00:12:34,367 --> 00:12:36,300
Hutton:
EVEN THE TOWNSPEOPLE,

229
00:12:36,300 --> 00:12:39,633
WHEN ALL THE PAPERS WERE
REPORTING THAT HE WAS BAD,

230
00:12:39,633 --> 00:12:43,067
THEY ACTUALLY GOT ALONG
WITH HIM.

231
00:12:43,067 --> 00:12:45,700
BUT THE KILLER
 WITH THE KILLER SMILE

232
00:12:45,700 --> 00:12:48,567
ISN'T EXACTLY THE STORY
 THE PAPERS WANT.

233
00:12:48,567 --> 00:12:50,600
IT'S EASIER TO LABEL ME

234
00:12:50,600 --> 00:12:54,267
A BLOODTHIRSTY,
 MAD-DOG MURDERER.

235
00:12:54,267 --> 00:12:56,633
AND THEY CAN DO IT,

236
00:12:56,633 --> 00:12:59,500
'CAUSE THEY DON'T KNOW
 THE FIRST THING ABOUT ME.

237
00:13:06,100 --> 00:13:08,700
BILLY'S ORIGINS,
LIKE SO MUCH OF HIS LIFE,

238
00:13:08,700 --> 00:13:10,767
ARE SHROUDED IN MYSTERY.

239
00:13:10,767 --> 00:13:13,200
NO BIRTH CERTIFICATE HAS
EVER BEEN FOUND ON THE KID.

240
00:13:13,200 --> 00:13:15,267
WE DON'T REALLY KNOW
HOW OLD HE WAS.

241
00:13:15,267 --> 00:13:17,200
WE DON'T REALLY KNOW
WHERE HE CAME FROM.

242
00:13:17,200 --> 00:13:20,767
WE DON'T EVEN KNOW
EXACTLY WHERE HE WAS BORN.

243
00:13:20,767 --> 00:13:27,433
NEW YORK, INDIANA, MISSOURI --
IT'S ALL KIND OF SPECULATION.

244
00:13:30,400 --> 00:13:33,667
Hutton:
ONE STORY IS THAT HE CAME
FROM THE SLUMS OF NEW YORK CITY,

245
00:13:33,667 --> 00:13:35,867
AND THAT'S A VERY ROMANTIC IDEA,
YOU KNOW,

246
00:13:35,867 --> 00:13:38,767
THAT THIS KID FROM NEW YORK
BECOMES THE MOST FAMOUS OUTLAW

247
00:13:38,767 --> 00:13:41,200
IN WESTERN HISTORY.

248
00:13:46,300 --> 00:13:51,067
THAT HANDSOME YOUNG DEVIL IS
ME, ABOUT 10 YEARS OLD,

249
00:13:51,067 --> 00:13:53,433
HEADED INTO THE WEST
 WITH MY MOTHER, CATHERINE,

250
00:13:53,433 --> 00:13:54,567
MY BROTHER, JOSEPH,

251
00:13:54,567 --> 00:13:57,933
AND MY STEP-FATHER,
 WILLIAM ANTRIM.

252
00:13:57,933 --> 00:13:59,633
HE WAS SUPPOSEDLY A HAPPY KID,

253
00:13:59,633 --> 00:14:02,367
AND THERE'S REPORTS OF HIM
SINGING IN MUSICALS

254
00:14:02,367 --> 00:14:05,167
AND DANCING AND STUFF
AT SCHOOL.

255
00:14:05,167 --> 00:14:06,367
BILLY SEEMS TO HAVE BEEN

256
00:14:06,367 --> 00:14:08,267
VERY CLOSE TO HIS MOTHER,
CATHERINE.

257
00:14:08,267 --> 00:14:10,967
CATHERINE APPARENTLY WAS
A GREAT DANCER,

258
00:14:10,967 --> 00:14:13,233
AND SHE WOULD DANCE
THE IRISH JIG

259
00:14:13,233 --> 00:14:14,900
WHEN HER HEALTH WAS GOOD.

260
00:14:22,100 --> 00:14:26,500
TUBERCULOSIS
EVENTUALLY GOT HER.

261
00:14:26,500 --> 00:14:28,767
AND BILLY LOSES HER.

262
00:14:31,767 --> 00:14:34,133
HIS STEP-FATHER,
WILLIAM ANTRIM,

263
00:14:34,133 --> 00:14:39,067
ESSENTIALLY ABANDONS BOTH BOYS,
AND SO THEY'RE ON THEIR OWN.

264
00:14:42,233 --> 00:14:45,967
WHEN MAMA DIED,
 WE WERE PUT INTO FOSTER CARE

265
00:14:45,967 --> 00:14:48,333
AND PRETTY MUCH LEFT
 TO OUR OWN DEVICES.

266
00:14:48,333 --> 00:14:51,467
Courtney: HE JUST KIND OF HAD
TO FIGURE OUT

267
00:14:51,467 --> 00:14:54,467
HOW TO LIVE IN THE OLD WEST,
AND IT WAS ABOUT SURVIVING.

268
00:14:54,467 --> 00:14:58,067
Gomber:
HE KIND OF STARTED TO GET INTO
SOME LOCAL SMALL-TIME TROUBLE.

269
00:14:58,067 --> 00:15:00,800
HE GOT INTO A GANG
OF LOCAL KIDS

270
00:15:00,800 --> 00:15:03,233
WHO WERE BASICALLY
JUVENILE DELINQUENTS,

271
00:15:03,233 --> 00:15:07,533
AND HE WAS ARRESTED
FOR STEALING CHINESE LAUNDRY.

272
00:15:07,533 --> 00:15:09,367
[ CELL DOOR CLOSES ]

273
00:15:11,233 --> 00:15:13,400
THAT WAS THE FIRST TIME
 I MADE THE PAPER.

274
00:15:15,933 --> 00:15:17,967
AND MY FIRST JAILBREAK.

275
00:15:23,900 --> 00:15:26,133
THE SHERIFF WANTED
TO TEACH HIM A LESSON,

276
00:15:26,133 --> 00:15:27,500
SO HE THREW HIM IN JAIL.

277
00:15:27,500 --> 00:15:29,633
WELL, THE NEXT MORNING,
WHEN THE SHERIFF CAME BACK...

278
00:15:30,767 --> 00:15:36,600
...THE KID HAD ESCAPED,
AND HE MADE HIS WAY TO ARIZONA.

279
00:15:36,600 --> 00:15:39,500
Gardner: BILLY THE KID,
AFTER SILVER CITY,

280
00:15:39,500 --> 00:15:40,900
IS A SURVIVOR.

281
00:15:40,900 --> 00:15:42,600
HE SURVIVES BY ANY MEANS
THAT HE CAN,

282
00:15:42,600 --> 00:15:43,733
AND HE'S VERY GOOD AT IT.

283
00:15:47,267 --> 00:15:49,867
[ INDISTINCT CONVERSATIONS ]

284
00:15:49,867 --> 00:15:51,367
THE NEXT FEW YEARS,
 I BOUNCED AROUND

285
00:15:51,367 --> 00:15:54,867
AND PICKED UP
SOME IMPORTANT SURVIVAL SKILLS.

286
00:15:54,867 --> 00:15:56,400
I DEVELOPED A TALENT
 FOR THREE CARD MONTE

287
00:15:56,400 --> 00:15:59,267
AND STEALING HORSES.

288
00:15:59,267 --> 00:16:02,800
I ALSO LEARNED MY WAY
 AROUND A GUN.

289
00:16:02,800 --> 00:16:07,200
AND ONE NIGHT WHEN I WAS 15,
 I WAS FORCED TO USE IT.

290
00:16:07,200 --> 00:16:08,767
OH,
YOU HAD ENOUGH ALREADY?

291
00:16:08,767 --> 00:16:10,867
FRANK CAHILL WAS
 A BLACKSMITH.

292
00:16:10,867 --> 00:16:13,067
HIS FEW FRIENDS
 CALLED HIM "WINDY."

293
00:16:13,067 --> 00:16:16,833
BUT TO ME, HE WAS
 JUST A BIG DRUNK BASTARD.

294
00:16:16,833 --> 00:16:19,400
WINDY THOUGHT IT WAS FUN
TO SLAP THIS LITTLE GUY AROUND

295
00:16:19,400 --> 00:16:21,067
FOR THE AMUSEMENT
OF THE OTHER PATRONS.

296
00:16:21,067 --> 00:16:23,967
AND FINALLY,
BILLY GOT FED UP WITH IT.

297
00:16:23,967 --> 00:16:28,067
GONNA GO HOME
AND CRY TO YOUR MAMA?

298
00:16:28,067 --> 00:16:30,067
HUH?

299
00:16:30,067 --> 00:16:32,067
[ INDISTINCT SHOUTING ]

300
00:16:37,600 --> 00:16:39,300
[ GUNSHOT ]

301
00:16:39,300 --> 00:16:41,700
[ GROANING ]

302
00:16:45,100 --> 00:16:47,067
Man: GET HIM!

303
00:16:54,267 --> 00:16:57,133
Gomber: BILLY MAY WELL HAVE
GOTTEN OFF ON SELF DEFENSE

304
00:16:57,133 --> 00:16:59,400
'CAUSE OF THE DIFFERENCE
IN THEIR SIZE AND EVERYTHING,

305
00:16:59,400 --> 00:17:03,133
BUT HE WASN'T ABOUT
TO WAIT AROUND AND FIND OUT.

306
00:17:03,133 --> 00:17:06,567
HE TOOK OFF HELL-BENT
FOR LEATHER FOR NEW MEXICO,

307
00:17:06,567 --> 00:17:08,900
BACK WHERE HE'D COME FROM
IN THE FIRST PLACE.

308
00:17:10,933 --> 00:17:15,267
Hutton: AND HERE, HIS STORY
SORT OF VANISHES INTO LEGEND

309
00:17:15,267 --> 00:17:16,633
BECAUSE WE DON'T KNOW
WHAT HAPPENS

310
00:17:16,633 --> 00:17:18,067
IN THE INTERVENING YEARS,

311
00:17:18,067 --> 00:17:20,800
BUT WE DO KNOW WHEN HE EMERGES
FROM THAT PERIOD,

312
00:17:20,800 --> 00:17:23,067
HE'S ABSOLUTELY FLUENT
IN SPANISH

313
00:17:23,067 --> 00:17:26,833
AND HE'S ONE TOUGH
YOUNG CHARACTER.

314
00:17:26,833 --> 00:17:29,700
HE'S NOT LIKE
OTHER GUNFIGHTERS.

315
00:17:29,700 --> 00:17:31,067
HE DOESN'T ROB TRAINS.

316
00:17:31,067 --> 00:17:34,100
HE DOESN'T ROB BANKS,
LIKE JESSE JAMES.

317
00:17:34,100 --> 00:17:37,400
HE KILLS PEOPLE.

318
00:17:37,400 --> 00:17:41,200
BUT HE KILLS THEM FOR A CAUSE.

319
00:17:41,200 --> 00:17:42,200
[ GUNSHOT ]

320
00:17:42,200 --> 00:17:44,233
[ HORSE NEIGHS ]

321
00:17:44,233 --> 00:17:47,167
AFTER THE DEATH
 OF MY FRIEND JOHN TUNSTALL,

322
00:17:47,167 --> 00:17:51,300
I WAS DRAWN INTO A WAR
 I NEITHER WANTED NOR ASKED FOR.

323
00:17:51,300 --> 00:17:53,867
THE HOUSE HAD DRAWN
 FIRST BLOOD.

324
00:17:55,467 --> 00:17:57,667
AND WE RESPONDED IN KIND.

325
00:17:57,667 --> 00:17:59,467
[ GUNSHOT ]

326
00:17:59,467 --> 00:18:01,600
BUT THE MAN MOST RESPONSIBLE
 FOR TUNSTALL'S DEATH WAS

327
00:18:01,600 --> 00:18:03,800
STILL BREATHING.

328
00:18:03,800 --> 00:18:05,667
AND THAT JUST WOULDN'T DO.

329
00:18:05,667 --> 00:18:07,933
YEAH, I TELL YOU FELLAS
ABOUT THAT BOY --

330
00:18:07,933 --> 00:18:09,333
HEY.
WHAT?

331
00:18:09,333 --> 00:18:11,533
IS THAT --
IS THAT SHERIFF BRADY?

332
00:18:11,533 --> 00:18:14,200
SIX WEEKS
 AFTER JOHN WAS MURDERED,

333
00:18:14,200 --> 00:18:16,833
WE SAW OUR CHANCE
 TO EXACT REVENGE.

334
00:18:19,967 --> 00:18:22,867
Hutton:
BILLY AND SEVERAL REGULATORS
WERE HAVING BREAKFAST

335
00:18:22,867 --> 00:18:24,167
AT THE TUNSTALL STORE,

336
00:18:24,167 --> 00:18:27,067
AND WHAT HAPPENED NEXT
MAY HAVE BEEN HAPPENSTANCE,

337
00:18:27,067 --> 00:18:29,767
OR THEY MAY HAVE BEEN THERE
BECAUSE THEY HAD PLOTTED.

338
00:18:32,633 --> 00:18:34,933
THE BOYS EATING BREAKFAST
SAW HIM.

339
00:18:34,933 --> 00:18:36,367
THEY IMMEDIATELY GRABBED
THEIR RIFLES,

340
00:18:36,367 --> 00:18:38,500
WENT OUT TO A LOW ADOBE WALL

341
00:18:38,500 --> 00:18:40,633
THAT WAS BESIDE
THE TUNSTALL HOUSE.

342
00:18:40,633 --> 00:18:42,900
Gomber:
BY THE TIME THEY DID ALL THIS,

343
00:18:42,900 --> 00:18:46,800
BRADY AND HIS MEN WERE
ALMOST 50 TO 75 FEET AWAY.

344
00:19:15,600 --> 00:19:18,367
Gardner: IT WAS AN AMBUSH.
IT WAS A COLD-BLOODED KILLING.

345
00:19:18,367 --> 00:19:21,367
BUT IN THE SCHEME OF THINGS,
IF IT'S A WAR,

346
00:19:21,367 --> 00:19:24,067
IT WAS VERY MUCH LIKE
A WAR'S AMBUSH,

347
00:19:24,067 --> 00:19:26,400
WHERE YOU KILL
ALL OF THE ENEMY THAT YOU CAN.

348
00:19:31,500 --> 00:19:33,633
THIS WAS MEANT
 TO END THE BLOODSHED,

349
00:19:33,633 --> 00:19:37,267
BUT THE HOUSE WAS
 ABOUT TO UP THE ANTE.

350
00:19:37,267 --> 00:19:41,833
Boggs: BRADY'S HIT.
ONE OF HIS DEPUTIES IS HIT.

351
00:19:41,833 --> 00:19:43,367
THEY'RE BOTH KILLED,

352
00:19:43,367 --> 00:19:45,500
AND THEN THE REGULATORS
RIDE OUT.

353
00:19:51,600 --> 00:19:52,800
JUST GONNA CHANGE

354
00:19:52,800 --> 00:19:55,067
THE WHOLE APPROACH
OF THE LINCOLN COUNTY WAR.

355
00:19:57,667 --> 00:19:59,167
Courtney:
IT CHANGED EVERYTHING.

356
00:19:59,167 --> 00:20:01,900
AND NOW YOU'VE KILLED
A GOVERNMENT OFFICIAL,

357
00:20:01,900 --> 00:20:03,933
AND THERE ARE GONNA BE
CONSEQUENCES.

358
00:20:20,900 --> 00:20:23,133
Bonney:
 IF YOU WANT TO GET FAMOUS
 IN THE WEST,

359
00:20:23,133 --> 00:20:25,533
WALK INTO ANY TOWN
 AND SHOOT THE SHERIFF.

360
00:20:25,533 --> 00:20:30,533
AFTER I GUNNED DOWN
 SHERIFF BRADY,

361
00:20:30,533 --> 00:20:33,267
EVERYBODY KNEW MY NAME.

362
00:20:36,333 --> 00:20:39,700
A WARRANT WAS SWORN OUT
 FOR MY ARREST

363
00:20:39,700 --> 00:20:42,700
IN CONNECTION
 WITH THE SHERIFF'S KILLING.

364
00:20:42,700 --> 00:20:45,000
FROM THEN ON,

365
00:20:45,000 --> 00:20:48,733
ALMOST ANY TIME SOMEONE TOOK
 A BULLET IN NEW MEXICO,

366
00:20:48,733 --> 00:20:52,733
PEOPLE SAID IT CAME FROM
 THE GUN OF BILLY THE KID.

367
00:20:52,733 --> 00:20:56,433
THEY FELL INTO THAT ATTRACTION
TO THIS YOUNG OUTLAW,

368
00:20:56,433 --> 00:20:59,533
AND SO THEY NATURALLY WANTED
TO WRITE ABOUT HIM

369
00:20:59,533 --> 00:21:01,567
AND MAKE HIM
THE FOCUS OF THEIR STORIES,

370
00:21:01,567 --> 00:21:03,100
AND OF COURSE,
ALL THE WRONG THAT WENT ON

371
00:21:03,100 --> 00:21:04,133
IN NEW MEXICO TERRITORY,

372
00:21:04,133 --> 00:21:05,867
WELL, THAT HAD TO BE
BILLY THE KID.

373
00:21:10,800 --> 00:21:14,133
SHERIFF BRADY'S DEATH DID NOT
 BRING CLOSURE TO OUR CAUSE

374
00:21:14,133 --> 00:21:15,533
AS WE'D HOPED.

375
00:21:15,533 --> 00:21:20,133
INSTEAD, OUR WAR AGAINST
 THE HOUSE ONLY INTENSIFIED.

376
00:21:20,133 --> 00:21:23,700
WE NEEDED TIME TO REGROUP,

377
00:21:23,700 --> 00:21:27,500
SO WE TOOK REFUGE IN THE HOME
 OF ALEXANDER McSWEEN,

378
00:21:27,500 --> 00:21:29,733
A LAWYER WHO'D BEEN SUPPORTING
 OUR CAUSE.

379
00:21:31,733 --> 00:21:35,700
BUT OUR HIDEOUT SOON BECAME
 A PRISON.

380
00:21:37,567 --> 00:21:40,133
Courtney:
THE REGULATORS RECONVENE
AT THE McSWEEN HOUSE,

381
00:21:40,133 --> 00:21:42,733
WHICH WAS IN LINCOLN,
AND WHILE THEY WERE THERE,

382
00:21:42,733 --> 00:21:46,567
THEY GOT WORD THAT THE DOLAN MEN
WERE ON THEIR WAY TO THE HOUSE.

383
00:21:46,567 --> 00:21:49,900
Hutton:
TROOPS FROM NEARBY FORT STANTON
CAME IN,

384
00:21:49,900 --> 00:21:51,300
SUPPOSEDLY TO BE NEUTRAL,

385
00:21:51,300 --> 00:21:53,300
BUT VERY QUICKLY SHOWED
THEIR HAND

386
00:21:53,300 --> 00:21:55,500
THAT THEY WERE
ON THE SIDE OF THE HOUSE.

387
00:21:57,867 --> 00:21:59,100
AND INSTEAD OF RETREATING,

388
00:21:59,100 --> 00:22:02,633
THEY DECIDED TO STAY THERE
AND FIGHT IT OUT.

389
00:22:02,633 --> 00:22:04,967
[ GUNSHOTS ]

390
00:22:12,200 --> 00:22:13,667
Hutton: THEY WERE GONNA
SETTLE THIS MATTER

391
00:22:13,667 --> 00:22:14,833
ONCE AND FOR ALL,

392
00:22:14,833 --> 00:22:17,100
BUT THEY MISJUDGED
THEIR ADVERSARIES.

393
00:22:26,133 --> 00:22:28,667
THESE REGULATORS ARE
ALL IN THERE

394
00:22:28,667 --> 00:22:32,567
WITH McSWEEN AND HIS WIFE,
AND THEY'RE KIND OF TRAPPED.

395
00:22:46,533 --> 00:22:48,667
WE HAVE TO SURRENDER.
WE HAVE NO CHOICE.

396
00:22:51,067 --> 00:22:52,667
IF I GO OUTSIDE,
I'M A DEAD MAN.

397
00:22:52,667 --> 00:22:55,433
IF YOU WON'T, I WILL.

398
00:23:00,200 --> 00:23:04,767
THE REGULATORS HAD RETREATED
FROM ROOM TO ROOM ALL DAY LONG.

399
00:23:04,767 --> 00:23:06,933
IT WAS GETTING DESPERATE.

400
00:23:06,933 --> 00:23:09,300
AT ABOUT DINNERTIME,

401
00:23:09,300 --> 00:23:10,733
THE WOMEN AND CHILDREN
IN THE PLACE

402
00:23:10,733 --> 00:23:11,800
WERE ALLOWED TO LEAVE.

403
00:23:19,333 --> 00:23:21,733
AS NIGHT FELL,
 WE WERE RUNNING OUT OF OPTIONS.

404
00:23:21,733 --> 00:23:25,967
BUT FOR ME,
 SURRENDER WASN'T ONE OF THEM.

405
00:23:30,500 --> 00:23:31,667
Bell: THEY START A FIRE

406
00:23:31,667 --> 00:23:34,067
IN THE UPPER NORTHWEST CORNER
OF THE BUILDING.

407
00:23:34,067 --> 00:23:35,367
THEY'RE TRYING
TO BURN THEM OUT.

408
00:23:37,067 --> 00:23:39,367
[ MEN COUGHING ]

409
00:23:39,367 --> 00:23:42,167
BILLY.
THAT FIRE'S SPREADING FAST.

410
00:23:42,167 --> 00:23:44,200
IMAGINE WHAT THAT WAS LIKE
IN THE HOUSE.

411
00:23:44,200 --> 00:23:45,600
THEY'VE BEEN IN A HOUSE
THAT'S BURNING ALL DAY.

412
00:23:45,600 --> 00:23:47,500
THEY GOT SMOKE.
THEY CAN'T BREATHE.

413
00:23:47,500 --> 00:23:48,733
THEY'RE GRITTY.

414
00:23:48,733 --> 00:23:51,100
ALEX McSWEEN IS
SITTING ON A SOFA

415
00:23:51,100 --> 00:23:52,900
WITH HIS HEAD IN HIS HANDS.

416
00:23:52,900 --> 00:23:54,500
ALL IS LOST.
HE DOESN'T KNOW WHAT TO DO.

417
00:23:54,500 --> 00:23:55,833
HE'S NOT A FIGHTING MAN.

418
00:23:55,833 --> 00:23:59,233
AND IT'S THE KID WHO COMES OVER
AND SHAKES HIM AND SAID,

419
00:23:59,233 --> 00:24:00,533
"WE GOT TO MAKE A BREAK."

420
00:24:01,633 --> 00:24:04,067
WE AIN'T DONE YET.

421
00:24:04,067 --> 00:24:06,333
ALL RIGHT,
HERE'S WHAT WE'RE GONNA DO.

422
00:24:06,333 --> 00:24:07,600
ME AND CHARLIE WILL RUN OUT BACK
FOR A DIVERSION,

423
00:24:07,600 --> 00:24:08,733
AND WHEN WE DO,

424
00:24:08,733 --> 00:24:11,533
THE REST OF YOU SLIP OUT
AND SCATTER, GOT IT?

425
00:24:13,133 --> 00:24:15,633
Gomber:
AND IT WAS AT THAT POINT
THAT THE KID TOOK COMMAND

426
00:24:15,633 --> 00:24:17,600
FOR THE FIRST TIME.

427
00:24:17,600 --> 00:24:21,733
BOYS,
WE'RE BUSTING OUT OF HERE.

428
00:24:24,300 --> 00:24:25,867
THIS WASN'T THE FIRST TIME

429
00:24:25,867 --> 00:24:28,100
I'D FACED
 A DIFFICULT PREDICAMENT.

430
00:24:28,100 --> 00:24:31,767
AND IT WOULDN'T BE
 THE LAST.

431
00:24:36,067 --> 00:24:40,800
Hutton: GUN IN EACH HAND,
FIRE LIGHTING THE SKY,

432
00:24:40,800 --> 00:24:43,100
HE COMES OUT OF THE BACK
OF THE McSWEEN HOUSE,

433
00:24:43,100 --> 00:24:44,633
GUNS BLAZING.

434
00:24:46,733 --> 00:24:50,267
Bell: WHEN BILLY THE KID JUMPED
OUT OF THE BURNING HOUSE

435
00:24:50,267 --> 00:24:52,300
AT THE McSWEENS',

436
00:24:52,300 --> 00:24:55,900
HE BECAME THE MOST FAMOUS MAN
IN NEW MEXICO.

437
00:24:55,900 --> 00:24:58,767
SHOOTING GUNS, BULLETS FLYING
OVER THEIR HEAD,

438
00:24:58,767 --> 00:25:01,067
AND THEY'RE ABLE TO ESCAPE,
AND IT'S KIND OF MIRACULOUS.

439
00:25:01,067 --> 00:25:03,167
IT'S WHAT LEGENDS
ARE MADE OF.

440
00:25:03,167 --> 00:25:06,433
Hutton: HOW BILLY SURVIVES IS
INCREDIBLE,

441
00:25:06,433 --> 00:25:10,167
BUT HE DOES MAKE IT THROUGH
AND DISAPPEARS INTO THE DARKNESS

442
00:25:10,167 --> 00:25:13,500
TO CREATE MORE LEGENDS.

443
00:25:13,500 --> 00:25:15,233
[ GUNFIRE ]

444
00:25:15,233 --> 00:25:16,267
OTHERS AREN'T SO LUCKY.

445
00:25:32,833 --> 00:25:34,867
[ GUNSHOTS ]

446
00:25:41,867 --> 00:25:45,133
McSWEEN AND FIVE OTHERS ARE
SHOT DOWN

447
00:25:45,133 --> 00:25:48,367
IN WHAT COMES TO BE KNOWN
AS THE BIG KILLING.

448
00:25:53,900 --> 00:25:58,167
THE NEWSPAPERS HAD A FIELD DAY
 WITH MY DISAPPEARING ACT.

449
00:25:58,167 --> 00:26:02,900
BILLY THE KID WAS
 EVERYWHERE AND YET NOWHERE.

450
00:26:02,900 --> 00:26:06,200
THE NEWSPAPERS MADE IT
ABSOLUTELY ESSENTIAL

451
00:26:06,200 --> 00:26:09,600
FOR THE OFFICIALS IN NEW MEXICO
TERRITORY TO GET THE KID.

452
00:26:23,700 --> 00:26:27,733
UP UNTIL THEN, THERE'D BEEN
 NO OFFICIAL IN NEW MEXICO

453
00:26:27,733 --> 00:26:28,967
CAPABLE OF CORRALLING ME.

454
00:26:28,967 --> 00:26:31,533
BUT AS THE SAYING GOES,

455
00:26:31,533 --> 00:26:33,967
THERE WAS A NEW SHERIFF
 IN TOWN,

456
00:26:33,967 --> 00:26:37,400
AND HE WAS DETERMINED
 TO MAKE A NAME FOR HIMSELF

457
00:26:37,400 --> 00:26:40,867
BY CATCHING THE MOST WANTED MAN
 IN THE WEST.

458
00:26:40,867 --> 00:26:42,400
[ GUNSHOT ]

459
00:26:58,733 --> 00:26:59,800
YOU'LL HAVE TO STAY
REAL STILL.

460
00:27:01,833 --> 00:27:03,400
WELL, AIN'T I ALREADY?

461
00:27:05,867 --> 00:27:07,733
HOW MUCH THIS COST?

462
00:27:07,733 --> 00:27:09,933
FOUR PRINTS
FOR A QUARTER.

463
00:27:09,933 --> 00:27:12,633
WELL,
THAT'S A BARGAIN, MISTER,

464
00:27:12,633 --> 00:27:15,267
'CAUSE THIS PICTURE'S
GONNA BE FAMOUS.

465
00:27:16,900 --> 00:27:19,167
Bonney: IF I HAD KNOWN
 THIS PHOTO WOULD BE

466
00:27:19,167 --> 00:27:22,233
THE ONLY ONE OF BILLY THE KID
 THAT WOULD PASS INTO HISTORY,

467
00:27:22,233 --> 00:27:26,067
I WOULD'VE STOOD UP STRAIGHTER,
 MAYBE CHOSE A BETTER HAT.

468
00:27:26,067 --> 00:27:31,800
Gomber:
EVERYONE WHO KNEW THE KID SAID
IT WAS A BAD PICTURE OF HIM.

469
00:27:31,800 --> 00:27:34,133
Bell: HIS TEETH LOOK CROOKED,

470
00:27:34,133 --> 00:27:36,833
AND HE'S GOT SPLOTCHES
ALL OVER HIM.

471
00:27:36,833 --> 00:27:38,967
Gomber: ESSENTIALLY,
HE'S BEING REMEMBERED

472
00:27:38,967 --> 00:27:40,433
BY HIS DRIVER'S-LICENSE PHOTO.

473
00:27:40,433 --> 00:27:43,433
AMAZINGLY, FOR 80-ODD YEARS,

474
00:27:43,433 --> 00:27:47,333
NO ONE REALIZED THAT THE PICTURE
WAS A REVERSED IMAGE...

475
00:27:51,367 --> 00:27:54,400
...LEADING TO THE MYTH
OF THE LEFT-HANDED GUN.

476
00:27:54,400 --> 00:27:59,500
THEY EVEN MADE A MOVIE ABOUT IT
WITH PAUL NEWMAN BACK IN 1957.

477
00:27:59,500 --> 00:28:01,700
Ellis: BILLY THE KID WASN'T
LEFT-HANDED.

478
00:28:01,700 --> 00:28:04,733
IT'S THE FACT
THAT THE TINTYPE PHOTOGRAPHY

479
00:28:04,733 --> 00:28:07,267
THEY USED AT THE TIME
REVERSED EVERYTHING.

480
00:28:07,267 --> 00:28:10,933
SO HE'S HOLDING THE GUN IN WHAT
LOOKS LIKE HIS LEFT HAND,

481
00:28:10,933 --> 00:28:12,800
BUT IT'S ACTUALLY HIS RIGHT.

482
00:28:17,933 --> 00:28:21,733
AFTER I KILLED SHERIFF BRADY
 AND CLASHED WITH THE HOUSE,

483
00:28:21,733 --> 00:28:24,567
I WAS THE MOST WANTED MAN
 IN NEW MEXICO.

484
00:28:24,567 --> 00:28:27,233
PEOPLE TOLD ME
 I SHOULD LEAVE THE TERRITORY

485
00:28:27,233 --> 00:28:29,967
AND NEVER LOOK BACK.

486
00:28:29,967 --> 00:28:32,833
BUT I WASN'T READY
 TO GO JUST YET.

487
00:28:35,133 --> 00:28:37,267
[ THUNDER RUMBLING ]

488
00:28:41,500 --> 00:28:42,700
[ TAPPING ]

489
00:28:48,533 --> 00:28:51,167
Hutton:
WHY DOESN'T BILLY LEAVE?

490
00:28:51,167 --> 00:28:53,500
THAT'S SUCH
AN IMPORTANT QUESTION.

491
00:28:53,500 --> 00:28:56,600
HE DOESN'T LEAVE BECAUSE
HE'S A ROMANTIC IDEALIST.

492
00:28:56,600 --> 00:28:58,800
I PERSONALLY WOULD'VE
TAKEN OFF.

493
00:28:58,800 --> 00:29:00,833
BUT HE GOES
BACK TO FORT SUMNER,

494
00:29:00,833 --> 00:29:06,533
AND YOU CAN ONLY SPECULATE
THAT IT'S FOR PAULITA MAXWELL.

495
00:29:08,067 --> 00:29:11,600
PAULITA MAXWELL WAS
RUMORED TO BE PREGNANT.

496
00:29:11,600 --> 00:29:14,700
Hutton: HE DOESN'T LEAVE
BECAUSE HE'S GONNA

497
00:29:14,700 --> 00:29:16,167
PLAY OUT HIS STRING.

498
00:29:16,167 --> 00:29:17,400
THIS IS HIS PLACE NOW.

499
00:29:17,400 --> 00:29:18,600
THIS IS HIS HOME.

500
00:29:18,600 --> 00:29:20,800
THESE ARE HIS PEOPLE.
THESE ARE HIS FRIENDS.

501
00:29:20,800 --> 00:29:22,533
HE'S GONNA STAY.

502
00:29:23,867 --> 00:29:26,067
IT'S WHAT MAKES HIM IN SOME WAYS
THE PERFECT WESTERN HERO.

503
00:29:26,067 --> 00:29:28,200
HE'S GONNA PLAY IT OUT
ALL THE WAY TO THE END.

504
00:29:33,167 --> 00:29:35,700
I HAD ALWAYS BEEN ABLE TO STAY
 A STEP AHEAD OF THE LAW.

505
00:29:39,833 --> 00:29:41,167
BUT LINCOLN COUNTY'S
 NEW SHERIFF

506
00:29:41,167 --> 00:29:43,200
EVIDENTLY MEANT BUSINESS.

507
00:29:43,200 --> 00:29:44,967
PAT GARRETT HAD BEEN
A BUFFALO HUNTER

508
00:29:44,967 --> 00:29:47,233
OUT ON THE STAKED PLAINS.

509
00:29:47,233 --> 00:29:48,967
HE WAS AN ALL-AROUND TOUGH GUY.

510
00:29:48,967 --> 00:29:51,100
REALLY GOOD WITH A GUN.

511
00:29:51,100 --> 00:29:53,067
JUST THE SORT OF MAN
THAT THEY WANTED

512
00:29:53,067 --> 00:29:56,867
TO BRING LAW AND ORDER
TO NEW MEXICO.

513
00:29:56,867 --> 00:29:59,400
DO YOU HAVE A POSE IN MIND,
SHERIFF?

514
00:30:02,433 --> 00:30:04,967
MAYBE SOMETHING LIKE THAT?

515
00:30:09,400 --> 00:30:10,433
BILLY COMES BACK
FOR ANOTHER PHOTOGRAPH,

516
00:30:10,433 --> 00:30:15,700
YOU LET ME KNOW,
ALL RIGHT?

517
00:30:15,700 --> 00:30:16,733
[ SIGHS ]

518
00:30:17,733 --> 00:30:21,167
Bell:
PAT GARRETT KNEW BILLY THE KID
AND ALL OF HIS COHORTS

519
00:30:21,167 --> 00:30:23,133
AROUND THE FORT SUMNER AREA,
WHERE THEY HID,

520
00:30:23,133 --> 00:30:29,400
AND HIS EDICT WAS, "CLEAN OUT
THAT SQUAD EAST OF SUMNER"

521
00:30:32,233 --> 00:30:34,333
GARRETT WAS EAGER
 TO PROVE HIMSELF.

522
00:30:34,333 --> 00:30:39,800
HE SET OUT WITH A NEW POSSE,
 DETERMINED TO BRING ME IN.

523
00:30:39,800 --> 00:30:41,800
AND HE DIDN'T LET UP.

524
00:30:48,767 --> 00:30:51,533
I WAS
NO LONGER SIMPLY WANTED.

525
00:30:56,000 --> 00:30:57,633
I WAS HUNTED.

526
00:31:02,267 --> 00:31:03,767
OUR PATHS FINALLY CROSSED

527
00:31:03,767 --> 00:31:06,067
IN A PLACE CALLED
 STINKING SPRINGS.

528
00:31:20,167 --> 00:31:21,800
[ GUN COCKS ]

529
00:31:44,233 --> 00:31:47,400
SO, THEY HEAR COUGHING
AND SNORTING AND GUYS WAKING UP.

530
00:31:47,400 --> 00:31:50,133
IT'S ALL CLEAR.

531
00:31:57,400 --> 00:31:59,067
Bonney:
HOW'S IT LOOK OUT THERE?

532
00:31:59,067 --> 00:32:01,167
Bowdre:
THINK I'M GONNA GO SADDLE
THE HORSES, GET THEM READY.

533
00:32:03,133 --> 00:32:05,500
THEN ALL OF A SUDDEN,
A GUY APPEARS IN THE DOORWAY

534
00:32:05,500 --> 00:32:08,100
WITH A SOMBRERO
AND A GREEN HAT BAND.

535
00:32:23,800 --> 00:32:27,733
EIGHT BULLETS TRAVELING
AT 800 FEET PER SECOND

536
00:32:27,733 --> 00:32:30,300
HIT HIM IN THE CHEST.

537
00:32:33,067 --> 00:32:35,067
[ GASPING ]

538
00:32:35,067 --> 00:32:38,533
I WISH...

539
00:32:38,533 --> 00:32:40,867
[ COUGHS ]

540
00:32:40,867 --> 00:32:44,133
IT WAS CHARLIE BOWDRE,
 MY CLOSEST FRIEND.

541
00:32:46,300 --> 00:32:49,833
HE HAD BORROWED MY HAT.

542
00:32:49,833 --> 00:32:54,067
Bell: HIS LAST WORDS WERE,
"I WISH," AND HE FELL DEAD.

543
00:32:54,067 --> 00:32:56,400
NOW, I THINK I KNOW
THE REST OF THAT SENTENCE --

544
00:32:56,400 --> 00:33:01,967
"I WISH I HADN'T WORN
THIS HAT."

545
00:33:01,967 --> 00:33:04,733
WHAT NOW, SHERIFF?

546
00:33:09,567 --> 00:33:11,433
I'M FAMISHED.

547
00:33:11,433 --> 00:33:12,767
LET'S HAVE BREAKFAST.

548
00:33:18,967 --> 00:33:21,567
YOU SMELL BACON?

549
00:33:21,567 --> 00:33:23,500
AND THEY GET BACON AND EGGS,

550
00:33:23,500 --> 00:33:24,500
AND THEY'RE COOKING THEM
OUT THERE,

551
00:33:24,500 --> 00:33:25,600
AND PAT GARRETT SAYS,

552
00:33:25,600 --> 00:33:27,300
"WHY DON'T YOU COME OUT
AND BE SOCIABLE?"

553
00:33:27,300 --> 00:33:29,633
COME OUT AND EAT,
BILLY.

554
00:33:29,633 --> 00:33:34,367
YOU AIN'T GETTING AWAY
THIS TIME.

555
00:33:38,967 --> 00:33:40,100
HELL WITH IT.

556
00:33:42,800 --> 00:33:45,433
I'M GETTING SOME BACON.

557
00:33:45,433 --> 00:33:47,500
Hutton: THEY REALIZE THERE'S
NO WAY THEY'RE GETTING OUT

558
00:33:47,500 --> 00:33:51,267
AND EVENTUALLY HAVE
TO SURRENDER.

559
00:33:58,567 --> 00:34:01,167
Bonney:
NO POINT BEING GLOOMY ABOUT IT.

560
00:34:01,167 --> 00:34:05,533
I HAD MY FUN.
NOW THE JOKE'S ON ME.

561
00:34:05,533 --> 00:34:07,233
[ LAUGHTER ]

562
00:34:07,233 --> 00:34:08,633
AT FIRST, I WONDERED

563
00:34:08,633 --> 00:34:11,067
WHY GARRETT DIDN'T JUST KILL ME
 IN STINKING SPRINGS.

564
00:34:11,067 --> 00:34:12,300
I DON'T BLAME YOU FOLKS
FOR WRITING

565
00:34:12,300 --> 00:34:13,667
SO MANY TERRIBLE THINGS
ABOUT ME.

566
00:34:13,667 --> 00:34:15,533
I DON'T KNOW
AS ANYONE WOULD BELIEVE

567
00:34:15,533 --> 00:34:16,700
ANYTHING GOOD
ABOUT ME ANYWAY.

568
00:34:16,700 --> 00:34:17,967
THAT'S ENOUGH.
LET'S GO.

569
00:34:17,967 --> 00:34:22,633
THEN I REALIZED
I WAS HIS PRIZE PIG,

570
00:34:22,633 --> 00:34:26,333
AND HE INTENDED TO PARADE ME
 AROUND THE FAIRGROUNDS.

571
00:34:27,833 --> 00:34:30,667
I WAS FOUND GUILTY
 IN THE KILLING OF SHERIFF BRADY

572
00:34:30,667 --> 00:34:32,067
AND SENTENCED TO HANG.

573
00:34:32,067 --> 00:34:33,167
IT WAS UP TO ME...

574
00:34:35,467 --> 00:34:39,533
...THIS SCATTER GUN WOULD BE
THE LAST THING YOU EVER SEE.

575
00:34:39,533 --> 00:34:42,067
I WAS LEFT IN THE HANDS
 OF BOB OLLINGER,

576
00:34:42,067 --> 00:34:45,067
GARRETT'S MOST DETESTABLE
 DEPUTY.

577
00:34:45,067 --> 00:34:49,933
BUT WATCHING YOU SWING WILL SUIT
JUST AS WELL.

578
00:34:51,667 --> 00:34:54,067
Gardner: PAT GARRETT HAD WARNED
HIS GUARDS,

579
00:34:54,067 --> 00:34:55,533
"YOU GOT TO WATCH THIS GUY

580
00:34:55,533 --> 00:34:57,800
"BECAUSE HE HAS BEEN KNOWN
TO ESCAPE.

581
00:34:57,800 --> 00:34:59,267
"HE'S EITHER GONNA DIE
ON THE GALLOWS,

582
00:34:59,267 --> 00:35:01,067
OR HE'S GONNA KILL YOU
ON THE WAY OUT OF TOWN."

583
00:35:03,067 --> 00:35:08,233
I MIGHT'VE BEEN ON DEATH ROW,
 BUT I WASN'T DEAD YET,

584
00:35:08,233 --> 00:35:09,800
AND I WASN'T ABOUT
 TO GO DOWN EASY.

585
00:35:11,167 --> 00:35:13,500
Gomber: THE KID'S AGILE MIND WAS
ALWAYS WORKING.

586
00:35:13,500 --> 00:35:15,700
I'M SURE FROM THE MOMENT
THEY INCARCERATED HIM UP THERE,

587
00:35:15,700 --> 00:35:17,400
HE WAS THINKING
OF WAYS TO GET OUT.

588
00:35:17,400 --> 00:35:20,600
Gardner:
HE WAITED UNTIL PAT GARRETT WAS
OUT OF TOWN.

589
00:35:20,600 --> 00:35:23,867
Gomber:
WHICH LEFT HIS TWO DEPUTIES HERE
IN CHARGE OF THE KID.

590
00:35:23,867 --> 00:35:27,433
Gardner:
ONE OF THE ARMED GUARDS,
BOB OLLINGER,

591
00:35:27,433 --> 00:35:31,067
HAD TAKEN OTHER PRISONERS
ACROSS THE STREET FOR A MEAL.

592
00:35:31,067 --> 00:35:34,633
THAT'S WHEN I ASKED DEPUTY BELL
 TO TAKE ME TO THE LATRINE.

593
00:35:36,700 --> 00:35:38,333
BILLY HAD VERY SMALL WRISTS,

594
00:35:38,333 --> 00:35:39,700
AND HE COULD
GET OUT OF SHACKLES.

595
00:35:39,700 --> 00:35:41,133
HE HAD PROVEN THAT
MANY TIMES.

596
00:35:41,133 --> 00:35:43,067
HE REALLY WAS
AN ESCAPE ARTIST.

597
00:35:43,067 --> 00:35:46,933
HE GOT OUT
AT LEAST OF ONE OF HIS SHACKLES.

598
00:35:48,400 --> 00:35:51,700
Gomber:
TURNED AROUND LIKE BABE RUTH
AND HIT BELL WITH THEM.

599
00:36:01,400 --> 00:36:05,600
I DIDN'T WANT TO KILL BELL,
 BUT HE LEFT ME NO CHOICE.

600
00:36:05,600 --> 00:36:10,067
Gardner:
HE ACTUALLY FELT A LITTLE
REMORSE FOR ONE OF THE GUARDS --

601
00:36:10,067 --> 00:36:12,400
JAMES BELL --
WHO PANICKED AND RAN.

602
00:36:14,333 --> 00:36:17,300
OLLINGER, HOWEVER,
 WAS A DIFFERENT STORY.

603
00:36:17,300 --> 00:36:20,467
I'D ALWAYS HATED
 BULLIES LIKE HIM.

604
00:36:20,467 --> 00:36:24,167
I JUST HOPE HE WEIGHS ENOUGH
FOR THE ROPE TO HANG HIM.

605
00:36:24,167 --> 00:36:26,167
[ BOTH LAUGH ]

606
00:36:26,167 --> 00:36:28,900
HE'S AS LEAN A CUT
AS THE MEAT ON MY PLATE.

607
00:36:28,900 --> 00:36:30,400
[ CHUCKLES ]

608
00:36:30,400 --> 00:36:32,800
[ GUNSHOT ]

609
00:36:40,900 --> 00:36:42,767
OH, DAMN IT.

610
00:36:42,767 --> 00:36:45,767
HELLO, BOB.

611
00:36:45,767 --> 00:36:48,733
Gardner:
BILLY HAS HIS OWN SHOTGUN --
BOB OLLINGER'S SHOTGUN --

612
00:36:48,733 --> 00:36:52,067
POINTED AT HIM
AND PULLS BOTH TRIGGERS.

613
00:36:56,467 --> 00:37:00,300
BOB OLLINGER FALLS
INSTANTLY DEAD TO THE GROUND.

614
00:37:01,867 --> 00:37:03,900
Hutton: THIS IS THE MOMENT
WHERE HE BECOMES

615
00:37:03,900 --> 00:37:07,967
THE GREATEST OUTLAW OF THE WEST.

616
00:37:07,967 --> 00:37:12,667
IT WAS THE MOST DARING ESCAPE
 THE FRONTIER HAD EVER SEEN

617
00:37:12,667 --> 00:37:15,367
AND THE LAST ONE
 I WOULD EVER MAKE.

618
00:37:18,300 --> 00:37:21,833
RUN DOWN TO THE OFFICE AND PULL
RIFLES FOR ME, YOU, AND FRED.

619
00:37:24,300 --> 00:37:26,567
WE'RE LEAVING AT SUNSET.

620
00:37:40,333 --> 00:37:42,533
Bonney: NOW!

621
00:37:42,533 --> 00:37:45,667
NONE OF Y'ALL INTERFERE,
NO ONE ELSE WILL GET HURT.

622
00:37:45,667 --> 00:37:48,167
I'M LITTLE TIED UP
AT THE MOMENT.

623
00:37:48,167 --> 00:37:50,933
ANYBODY HAVE A HAMMER?

624
00:37:50,933 --> 00:37:52,500
Bonney:
 SHERIFF PAT GARRETT HAD DONE

625
00:37:52,500 --> 00:37:54,333
WHAT NO OTHER LAWMAN SEEMED
 CAPABLE OF.

626
00:37:55,533 --> 00:38:01,400
HE CAUGHT YOURS TRULY,
 BILLY THE KID.

627
00:38:01,400 --> 00:38:04,533
GARRETT HAD ME CHAINED
 TO THE COURTHOUSE FLOOR.

628
00:38:06,100 --> 00:38:09,100
BUT CHAINS ARE NO MATCH
 FOR THE KID.

629
00:38:12,667 --> 00:38:13,700
[ GUNSHOT ]

630
00:38:14,667 --> 00:38:16,833
Bell: TWO DEPUTIES WERE
LYING DEAD IN THE YARD.

631
00:38:16,833 --> 00:38:20,200
THE KID HAD THE RUN
OF THE COURTHOUSE FOR AN HOUR,

632
00:38:20,200 --> 00:38:22,167
AND NO ONE CHALLENGED HIM.

633
00:38:22,167 --> 00:38:24,067
ANYBODY HAVE A HAMMER?

634
00:38:24,067 --> 00:38:26,233
[ METAL CLANGS ]

635
00:38:26,233 --> 00:38:27,533
THANK YOU, SIR.

636
00:38:27,533 --> 00:38:30,433
Hutton: THE KID GOT SOMEONE
TO BREAK HIS SHACKLES

637
00:38:30,433 --> 00:38:34,433
AND, IN FACT, TOOK ONE
OF THE LOCAL OFFICIALS' HORSE.

638
00:38:34,433 --> 00:38:39,633
AS HE RODE OUT OF TOWN,
CALLED BACK NOT TO WORRY --

639
00:38:39,633 --> 00:38:43,167
THAT HE WOULD
SEND THE HORSE BACK.

640
00:38:43,167 --> 00:38:45,067
Bell:
AND SURE ENOUGH, THE NEXT DAY,

641
00:38:45,067 --> 00:38:47,167
BURT'S HORSE CAME INTO TOWN,
DRAGGING A ROPE,

642
00:38:47,167 --> 00:38:49,733
AND HE HAD FULFILLED
HIS WORD.

643
00:38:56,667 --> 00:39:01,367
THAT LAST ESCAPE
 MADE ME A LEGEND.

644
00:39:01,367 --> 00:39:05,567
THE STORY SPREAD ALL THE WAY
 TO NEW YORK AND CHICAGO.

645
00:39:05,567 --> 00:39:09,467
SOON, THE WHOLE COUNTRY WAS
 READING TALES OF MY EXPLOITS.

646
00:39:12,600 --> 00:39:14,333
BUT THERE WAS
 A CERTAIN SHERIFF

647
00:39:14,333 --> 00:39:16,700
WHO WASN'T SO FOND
 OF ALL THE PUBLICITY.

648
00:39:16,700 --> 00:39:21,300
RUN DOWN TO THE OFFICE AND PULL
RIFLES FOR ME, YOU, AND FRED.

649
00:39:23,733 --> 00:39:26,067
WE'RE LEAVING AT SUNSET.

650
00:39:31,067 --> 00:39:33,567
Boggs: PAT'S GONNA
COME BACK INTO LINCOLN.

651
00:39:33,567 --> 00:39:35,567
HE'S GONNA FIND
TWO OF HIS DEPUTIES DEAD.

652
00:39:35,567 --> 00:39:36,700
HE'S GONNA THINK,

653
00:39:36,700 --> 00:39:39,300
"OH, MAN, I HAD THIS WHOLE THING
WRAPPED UP."

654
00:39:39,300 --> 00:39:41,167
AND NOW
HIS REPUTATION'S ON THE LINE.

655
00:39:45,100 --> 00:39:46,500
IT WAS
 PRETTY MUCH A GUARANTEE

656
00:39:46,500 --> 00:39:49,533
THAT GARRETT WOULD
 COME CALLING AGAIN.

657
00:39:49,533 --> 00:39:53,533
BUT I DIDN'T EXPECT IT'D BE
 TOO HARD TO KEEP AHEAD OF HIM.

658
00:39:59,500 --> 00:40:02,600
SO, WHAT HAPPENS NOW,
BILLY?

659
00:40:08,267 --> 00:40:10,167
COME AWAY WITH ME.

660
00:40:10,167 --> 00:40:13,300
WE COULD
RUN DOWN TO MEXICO.

661
00:40:13,300 --> 00:40:14,567
THEY WON'T CHASE ME THERE.

662
00:40:14,567 --> 00:40:17,133
GOT TO REMEMBER
THAT HE WAS A KID.

663
00:40:17,133 --> 00:40:18,433
HE REALLY WAS A KID,

664
00:40:18,433 --> 00:40:21,033
AND WHEN YOU'RE A KID,
YOU'RE INVINCIBLE,

665
00:40:21,033 --> 00:40:23,700
AND EVEN WITH ALL THE DEATH
AND DESTRUCTION HE'D SEEN,

666
00:40:23,700 --> 00:40:25,867
I THINK HE STILL FELT
THAT HE COULD GET AWAY

667
00:40:25,867 --> 00:40:28,733
WITH MOST OF WHAT HE WANTED
TO GET AWAY WITH.

668
00:40:28,733 --> 00:40:32,267
WHAT HE DIDN'T TAKE
INTO CONSIDERATION WAS

669
00:40:32,267 --> 00:40:35,167
THE FACT THAT PAULITA'S
BIG BROTHER, PETE,

670
00:40:35,167 --> 00:40:37,400
DID NOT LOOK KINDLY UPON
THE RELATIONSHIP

671
00:40:37,400 --> 00:40:39,533
BETWEEN HIS SISTER
AND AN OUTLAW.

672
00:40:44,900 --> 00:40:46,933
[ KNOCK ON DOOR ]

673
00:40:56,900 --> 00:40:58,967
Hutton: THE WARRANTS HE CARRIED
IN HIS POCKET

674
00:40:58,967 --> 00:41:02,100
WEREN'T ARREST WARRANTS.

675
00:41:02,100 --> 00:41:05,267
THEY WERE DEATH WARRANTS.

676
00:41:05,267 --> 00:41:08,933
PAT GARRETT WAS THERE
TO KILL BILLY THE KID.

677
00:41:13,800 --> 00:41:16,733
[ WOOD CREAKING ]

678
00:41:16,733 --> 00:41:19,433
[ GUN COCKS ]

679
00:41:28,600 --> 00:41:30,933
I HAVE TO THINK ON THAT.

680
00:41:32,867 --> 00:41:35,100
I KNOW YOU DO.

681
00:41:38,167 --> 00:41:40,633
[ SMOOCHES ]

682
00:41:40,633 --> 00:41:43,067
I'M GONNA GET A BITE DOWNSTAIRS,
OKAY?

683
00:41:45,867 --> 00:41:47,067
Gomber: THE KID KNEW
THERE WAS A SIDE OF BEEF

684
00:41:47,067 --> 00:41:48,133
HANGING IN THE KITCHEN

685
00:41:48,133 --> 00:41:50,600
THAT HE COULD
MAKE HIMSELF A SNACK.

686
00:41:50,600 --> 00:41:52,900
[ WOOD CREAKING ]

687
00:42:05,767 --> 00:42:07,533
[ WOOD CREAKS ]

688
00:42:11,967 --> 00:42:13,233
¿QUIéN ES?

689
00:42:15,067 --> 00:42:16,467
Hutton:
"¿QUIéN ES?" HE SAYS.

690
00:42:16,467 --> 00:42:17,767
¿QUIéN ES?

691
00:42:17,767 --> 00:42:20,067
Gomber: "¿QUIéN ES?"
"WHO IS IT?"

692
00:42:24,500 --> 00:42:27,900
GARRETT, OF COURSE,
RECOGNIZED THE VOICE.

693
00:42:31,733 --> 00:42:34,067
THE KID SPRANG BACK,
BUT IT WAS TOO LATE.

694
00:42:35,533 --> 00:42:36,667
Hutton:
TWO SHOTS IN THE DARK.

695
00:42:44,433 --> 00:42:45,767
Boggs: ALL THROUGH HIS LIFE,

696
00:42:45,767 --> 00:42:48,967
THE KID HAD BEEN BLESSED
WITH A STRING OF GOOD LUCK.

697
00:42:48,967 --> 00:42:53,067
HE ESCAPES THE BURNING HOUSE
DURING THE LINCOLN COUNTY WAR.

698
00:42:53,067 --> 00:42:54,967
HE'S ESCAPED THE GALLOWS.

699
00:42:54,967 --> 00:42:58,700
AND ON THE NIGHT
OF JULY 14, 1881,

700
00:42:58,700 --> 00:42:59,833
THE LUCK RUNS OUT.

701
00:42:59,833 --> 00:43:02,300
[ CRYING ]

702
00:43:08,833 --> 00:43:10,767
DON'T LET ANYONE
FOOL WITH THE BODY.

703
00:43:10,767 --> 00:43:12,967
I'LL CALL THE UNDERTAKER
IN THE MORNING.

704
00:43:20,567 --> 00:43:25,400
Hutton:
THE KID DIES. A LEGEND BEGINS.

705
00:43:27,700 --> 00:43:32,700
Bell:
THERE'S BEEN OVER 1,000 BOOKS
WRITTEN ON BILLY THE KID.

706
00:43:32,700 --> 00:43:36,067
AND IT'S INCREDIBLE.
AND OVER 60 MOVIES.

707
00:43:36,067 --> 00:43:37,833
Gomber: IF I WERE GONNA DESCRIBE
BILLY THE KID IN ONE WORD,

708
00:43:37,833 --> 00:43:38,833
IT'D BE...

709
00:43:38,833 --> 00:43:39,600
Ellis: DARING.

710
00:43:39,600 --> 00:43:40,567
Boggs: CHARMING.

711
00:43:40,567 --> 00:43:41,667
Courtney: HERO.

712
00:43:41,667 --> 00:43:42,867
Gardner: ESCAPE ARTIST.

713
00:43:42,867 --> 00:43:44,600
Hutton: QUICK WITTED,
BADASS PUNK. [ CHUCKLES ]

714
00:43:44,600 --> 00:43:46,367
Gomber: ...A LOVER.

715
00:43:46,367 --> 00:43:48,367
BUT HE WAS ALSO A KILLER.

716
00:43:48,367 --> 00:43:49,700
THERE'S NO GETTING AROUND IT.

717
00:43:49,700 --> 00:43:52,833
Courtney:
IT'S SUCH A CLASSIC STORY
OF AN UNDERDOG

718
00:43:52,833 --> 00:43:56,367
WHO IS UP AGAINST THE BAD GUYS,
AND HE SEEKS REVENGE

719
00:43:56,367 --> 00:43:58,600
AND ULTIMATELY DIES
BECAUSE OF THAT,

720
00:43:58,600 --> 00:44:02,167
AND I THINK THAT'S WHY SO MANY
PEOPLE VIEW HIM AS A HERO.

721
00:44:02,167 --> 00:44:04,667
Hutton:
A FIGHTER FOR JUSTICE.

722
00:44:04,667 --> 00:44:05,967
BILLY THE KID.

723
00:44:05,967 --> 00:44:09,567
HE'S THE PERFECT OUTLAW
OF OUR DREAMS --

724
00:44:09,567 --> 00:44:12,833
SOMEONE WHO WON'T QUIT,
SOMEONE WHO WON'T COMPROMISE.

725
00:44:12,833 --> 00:44:14,300
THEY CAN'T CHAIN HIM.

726
00:44:14,300 --> 00:44:16,200
IN FACT,
IT'S RATHER AMAZING.

727
00:44:16,200 --> 00:44:20,300
IF YOU GO TO HIS GRAVE TODAY,
THERE ARE BARS AROUND IT.

728
00:44:20,300 --> 00:44:23,067
THE ONLY WAY THEY COULD CAGE HIM
WAS TO KILL HIM,

729
00:44:23,067 --> 00:44:24,200
AND EVEN THEN,

730
00:44:24,200 --> 00:44:26,567
THEY'RE STILL SO FEARFUL
THAT HE'LL GET AWAY,

731
00:44:26,567 --> 00:44:29,433
THEY'VE GOT A CAGE BUILT
AROUND HIS TOMBSTONE.


